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International Harmony
Based Upon a Music
of Planetary Grid Systems

by Barbara Hero

Barbara Hero rhomboid art

This essay correlates the earth grid systems with specific musical notes, thus enabling one to find harmonic relationships related to distances between cities or countries. A chart of miles and corresponding musical notes is included so that one can determine the musically harmonic intervals.
First being published in the United States Psychotronics Association 1985 Annual Conference Proceedings, Reprinted in Anti-Gravity and the World Grid, by David Hatcher Childress.




This paper will propose a method of correlating Earth Grid 
systems with specific musical notes, by a process of translating 
length to frequencies which can then be translated to musical 
notes.

A method of octave expansion and octave reduction was used to 
determine the specific frequency of a note.

When this theory is applied to the relationships of countries to 
sounds, a way of increasing harmony between countries can be 
suggested by knowing a key note of the distance between them.

A correspondence with Pythagorean Lambdoma of seven rays is 
suggested.

In September of 1983 1 received a letter from Governors State 
University in Illinois requesting submission of information or 
research on a project called THE PLANETARY GRID SYSTEM.  I wrote 
back a note saying that perhaps I could help by identifying the 
musical interval of the modular grid system if there is a module 
that has been determined in length.  Then, a year later in 
December, 1984, Bethe Hagens and William Becker sent a copy of 
the magazine "Pursuit" (1) which featured their research.  And in 
this article the distances in miles of the grid system they 
devised was given, so that I could get to work to determine 
certain musical relationships.  I sent a letter detailing these 
relationships.  After receiving my letter Bethe Hagens 
replied:

"Thank you so much for your letter.  I wanted you to know that 
we had received it.  I am kind of stunned by what you have found 
in the grid - and your political interpretations.  It's one of 
the most fascinating responses we've ever received.  I don't 
know that I told you, but I am a professional violinist when I 
am not being an anthropologist.  Your work in harmonics begins 
to get at something I have felt intuitively must exist but had 
no way to express.

"...I have not had the time to sit with your letter and really 
absorb it.  I will write again once I have something intelligent 
to say.  Again, thanks so much for writing."

The Becker-Hagens report presented a theory of the growing 
structure of the earth, from the tetrahedron, octahedron, cube, 
icosahedron, and dodecahedron.  These are the Platonic solids 
attributed to Pythagoras (500 B.C.). The dodecahedron and 
icosahedron together, Becker and Hagens found to be the grid 
system of our present age.  When the line arrays of each of 
these solids is overlaid on a sphere, a grid emerges which they 
contend is a pattern the ancient peoples used for becoming one 
with the earth.(2)

Briefly, factors to consider when calculating the harmonic 
implications between countries, cities, or villages include the 
following:

o  What is the great circle distance in miles between two points 
   on the grid system? 

o  What are the major apex points?

o  Is the assumption that Giza is the major point valid, or has 
   the energy changed since the building of the Great Pyramid?

o  Are significant places in history nodes of the grid system?

o  Are fault lines energy lines?

o  Are mountain ranges energy lines?

o  What is the difference between the fault lines and the 
   mountain range lines in terms of energy?

o  Could certain distances portend problem areas in terms of 
   harmonies?

The Becker-Hagens report mentioned the "Twelve Devils' 
Graveyards Around the World" (Saga Magazine, 1972) where 
magnetic and energy aberrations were located.  These are found 
zig-zaging the equator at 30 degrees above and 30 degrees below 
the equator.

Using an "Atlas" software computer program, Robert Foulkrod 
found the distance in miles to be 4264 miles between adjacent 
"Graveyards."  The corresponding musical frequency based on the 
speed of sound in air is 0.0000502 cps.  By octave expansion to 
the middle "C" octave (multiplying by 2 to the "n" number of 
times), this translates to a musical note of "A".  This 
particular distance or musical note might be an indication of 
disharmony between countries, if, indeed, distance is a factor.

The Becker-Hagens report sets the kite shaped grid dimensions as 
1400 miles (short end of the kite), 2200 miles (the outside kite 
length), and 2600 miles (the brace down the middle of the kite). 
The musical notes are "E flat", "A flat", and "F", respectively.
The latter note represents the distance between Gomel in the 
Soviet Union and Sebha in Libya.  Therefore the musical sound of 
"F" at 345 cps might be accentuated for harmony between these 
two countries.

The Becker-Hagens report mentioned the theory by Sinkiewitz who 
claimed that the present energy grid sytem is out of alignment 
with the ancient grid system, and that New Age Spiritual 
communities around the globe are rediscovering the new grid and 
building sacred sites to activate them.

The Aleutian Islands have been predicted to be the new North 
Pole.  See Figures 1, 2, 3, 4, & 5.  [not included here but if 
anyone is exceptionally interested, let me know and I will scan, 
UUENCODE and post them.]  What is the distance involved when a 
diamond of a 70 degree apex is overlaid on the new North PoIe, 
and the legs of the diamond terminate at the Equator?  This is 
the shape which some have found intuitively very emotionally 
responsive as if from a long forgotten past.

A "key note" of a country could be determined by means of a 
Lambdoma diagram (a Pythagorean model).  See Figure 6, 
References 3 through 8.  The apex of the Lambdoma diagram is 
divided equally as the diagonal down the center of the x and y 
axis.  The diagonal has a ratio of 1:1, so that whatever the 
distance is along the diagonal of the grid would be its "key 
note".  For example Gomel in the Becker-Hagens grid has seven 
rays radiating from the apex point, and the diagonal which 
represents the "key note" extends from Gomel to El Eglab, 2600 
miles, an "F" musically.  From Cairo to London is 2183 miles, 
a "G#".

Each of the rays of the grid would exhibit a unique energy, and 
much work has to be done to determine the quality of these 
differing energies.  See Figures 7 & 8. In the case of the earth 
the circumference of the earth should be taken into account as a 
reference distance and frequency, the circumference is 24,860 
miles.  This is equivalent to a "D" musically (in air).

In conclusion, if the earth is in transition in terms of 
developing into a new phase of grid lines, this factor might 
indicate a shift of energy or frequency at different places on 
the earth.  See Figure 9. The grid patterns would then take on 
different distances.  See Figure 10.  We might ask how can we as 
humans help the earth in this transitory phase?

First, recognizing that harmonies between cities or countries is 
based upon attunement to each other's energy patterns.  Most of 
all let us attune ourselves to the earth's energies, recognizing 
the oneness of all things in our material universe, and learning 
the importance of sound as a manifestation of different 
realities.

Any grid system has to have distance as one of the factors, 
since wavelength is inherent in all sound vibrations, as the 
inversion of frequency.  Even though we cannot hear the specific 
frequency of a grid line, the interval quality is present though 
inaudible.  So lets make them audible.

References

1) Becker-Hagens, Pursuit Science: Pursuit of the Unexplained, 
   Journal of SITU, The Society for the Investigation of the 
   Unexplained, Vol. 17, Number 2, Whole Number 66, Second 
   Quarer, 1984.

2) Jalandris, Earthfire.- Exploring the Energies of the 
   Ancients, Lincoln, Nebraska, 1981.

3) S. Levairie and E. Levy, Tone.- A Study in Musical Acoustics, 
   Kent State University Press, Kent, Ohio, 1968.

4) Kayser, Hans, Akroasis.- The Theory of World Harmonics, 
   translated by Robert Lilienfeld, Plowshare Press, Boston, 1964.

5) E. McClain, The Pythagorean Plato: Prelude to the Song 
   Itsetf, Nicolas Hays, Ltd., New York, 1978.

6) B. Hero, "Paintings Based on Relative Pitch in Music," 
   Leonardo, Vol. 8, pp. 13-19, Pergammon Press, England, 1975.

7) B. Hero, "Drawings Based on Laser Lissajous Figures and the 
   Lambdoma Diagram," Leonardo, Vol.  II pp. 301-303, 1978.

8) B.Hero, "The Mathematical Laws of Sound (Relationship of Sound 
   to Gravity), "Energy Unlimited #12, Box 288, Los Lunas, New 
   Mexico 80731


Frequency Correspondence Charts, by Barbara Hero

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